Prologue
Curator Onalna placed the last of the items inside the vault below the Museum. She had gotten the directive directly from the Council who ruled the United Tribes of Refuge, and confirmed by Secret Royal Decree of King Urog. Every item inside the Museum had a perfect modern replica on the main floors. And even the Leyas artifacts were replicated with the full effort of the United tribes. It was beautiful to see such a concerted effort. Here in the vault below the Museum would go the true relics, and everything of value. Well almost everything…her head adept had warned her not to move one item into the Vault because it would single handedly put the entire museum’s collection at risk. She had worked with this specific adept, a foppish Earther who went by the handle Maverick Multimancer, for the past two years since the Museum was reopened for operations. She felt he was as reliable as an Earther could be.
Curator Onalna passed by the restoration room of her head adept, noting there was a line of Olgog statues crowding the hall. These were new additions sent by the Yagogi’al tribe, and some were amazingly lifelike. She swore one of them even blinked at her.
Apparently she would have to have a talking to with Maverick, he was so behind his work it was now cutting off fire exits. She knocked on the door to the restoration room and it creeked open under its own accord. Inside she found a pair of Olgog guards standing there. They were shockingly graceful for burly Brezans, as they searched the restoration room top to bottom.
“What are you doing here?” asked Curator Onalna with an accusatory glance.
“Just looking for the crystal stone on the catalogue, Curator,” said one guard, “We were told all items had to be stored down in the Vault and the checklist we got doesn’t show it as being checked off.”
“Yes, the plan has changed for that item,” replied Onalna, “But I do have some work for you. It is still a few hours towards closing time, and there are enough visitors still in the museum that we cannot fully lock this place down.”
She quickly looked at the Olgog statues, relaxing her sight to see the Leyas flows. She was seeing the expected Earth Leyas and smattering of others that would make sense for a crafted flowing moving statue. Nothing to make her worry, after all these were gifts from members of the UtR Council. If the Yagogi had been tricked into helping the thieves it was an inside job, and almost certainly their entire collection would already be stolen. That was the hardest part for Curator Onalna.
For the past two years, the Museum of Brez had been supported and protected. Except for a small brawl with the Olgog who popped out the crystal there really hadn’t been much violence surrounding the Museum.
King Urog and the other Brezan gang leaders saw the Museum as a point of Pride. It was something even the haughty Tla’loc’alans came to Brez to see. So the Brezan Olgogs went out of their way to protect it. King Urog’s Treasure for the People theme had spread everywhere, and since every Brezan native had free admission, it did felt like a shared treasure. So Onalna was struggling to accept that she shouldn’t be trustworthy of their allies. She only hoped her trust in the UtR was not misplaced.
“Place these Statues in the corridor leading to room B13, past the exhibit about the Gor’abs of Karov but before the exhibit on the lines of aristocracy including the Bloodline of the Mag Buskt, and the Bloodlines of the Shattered Suns, the Bloodline of Protodoxa and the other famous lineages.
You will know you have gone too far, when you reach the area where Godart is setting up the rocket model in the Hall of Olgog Aviation. They are setting up right next to the flight suit and portrait of Ogur Whakkau the first Olgog EEF pilot to travel into space back using human technology. So if you see either the Ur’sa Rocket or an Olgog sized flight suit you’ve gone too far.
She paused and added, “You know we got a lot of flak from some corners about allowing Godart to assemble his model of the Ur’sa Rocketship. Despite not being the first Olgog Astronaut, or first Olgog in space (sadly that role probably goes to the poor Olgogs taken by galactic slavers and space pirates during the “Golden Age of Earther Space travel”), Godart and his Rocket do represent a great accomplishment by the Olgog peoples. A first in the use of only technological propulsion to send an Olgog explorer aloft, designed and built by an Olgog scientists. Do you understand how exciting it is to live in an age where Olgog scientists loft rockets into space? No longer are we thought of as dirty savage and feral Goblins…”
The voice that cut her off had a subtle nasal whine to it, and was definitely Earther, “Instead they think of you as dirty, fossil fuel using Orcs riding polluting chemical rockets in some vain attempt to get Humans to look at you as anything more than stupid animals who can learn from their betters.”
The voice was attached to none other than Mortis Leonin, though he was not dressed in his customary Inquisitor’s robes. Instead he was dressed as a middle manager at an IT firm might dress in the late 2000s CE. He dropped his briefcase with a yawn, and it snapped open and a pair of mekanoids popped forth. They trained their weapons on the guards but made no move to fire, much to everyone’s surprise.
“So Animal, I am kind enough to warn you,” said Leonin, “The Warmonger has aims for this timeline, and your actions here tonight, might just make or break his success. I have seen the future where the armies and fleets of Lalder breach a treaty that causes the death of…well everyone. That benefits me even less than you creatures.
Wherever you move the mirror crystal it will be found. The only question is how do you mitigate the damage animal, only how you mitigate the damage.”
Leonin reached his hand into his inner pocket and suddenly a flash of light made him and his meks disappear.
Curator Onalna wiped away a few tears. She had genuinely expected the meks to kill her, and still didn’t believe her luck. All her sense of safety had evaporated in moments.
The guards tried to console her, but she pushed them away.
“It seems my adept was right in his own assessment as well,” said Onalna, “You two get the statues moved where it told you. I have to see Maverick.”